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Houston, TX: ZE Books (August 15, 2023)
Paperback.
As new.
A rare work of criticism, memoir, and mythography from an author “aware of all the hidden chambers of the heart.” (Greil Marcus, New York Times Magazine)
Mary Gaitskill is unique among American novelists in “her ability to evoke the hidden life, the life unseen, the life we don’t even know we are living.”* In this searching biography of the writer’s imagination, Gaitskill excavates her own novels, revealing their origins and obsessions, the personal and societal pressures that formed them, and the life story hidden between their pages. Using the techniques of collage, The Devil's Treasure splices fiction together with commentary and personal history, and with the fairy tale that gives the book its title, about a little girl who ventures into Hell through a suburban cellar door.
The result is an answer to Gaitskill’s critics and, simultaneously, the best book we have about contemporary fiction, the forces ranged against it, and the forces that bring it into being.
“Even among other artists attracted to weakness as a theme, [Gaitskill] is rare in being able to look at it on its own terms. She doesn’t treat it like a curiosity, like Diane Arbus, or a chink in the armor that might let in faith, like Flannery O’Connor. She isn’t afraid of it, like Muriel Spark; nor does she insist its depictions rouse us to action, like Sontag. She looks—just looks—and sees everything.” —Parul Seghal, New York Times Magazine*
“What is in the bag behind the Devil’s chair? Knowledge of some kind? Surely something a little girl did not know should be left alone. I’ve been criticized— and sometimes admired—for what some readers see as my affinity with cruelty, both in my depictions of it and my supposed infliction of it on characters.”
In The Devil’s Treasure—aptly subtitled A Book of Stories and Dreams—the iconic author Mary Gaitskill has created a chimerical hybrid of fiction, memoir, essay, criticism, and visual art that transcends categorization. This collage of four novels (one a work in progress), interspersed with and thematically linked by a single short story, then woven together with the author’s commentary, is a kind of director’s cut revealing the personal and societal forces that inform each individual piece of work, an ongoing, passionate exploration of core human emotions and experience, the ideally, sometimes quixotically high and grossly, confusedly low.
With the stylistic daring and preternatural acuity that has made her one of America’s most original writers, Gaitskill has created a layered vision of modern life that simultaneously blends the huge prehistoric creatures that swim at the bottom of our collective ocean with a family that picnics on the beach while a podcast natters about politics and a perhaps dangerously curious child explores the lapping waves.
Mary Gaitskill is a novelist, essayist, and short-story writer. Her work has appeared in the New Yorker, Harper's, Esquire, Best American Short Stories, and The O. Henry Prize Stories.
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